{"id":708,"date":"2025-05-23T07:49:36","date_gmt":"2025-05-23T07:49:36","guid":{"rendered":"https:\/\/flororjales.com\/?page_id=708"},"modified":"2025-06-02T23:12:22","modified_gmt":"2025-06-02T23:12:22","slug":"flor","status":"publish","type":"page","link":"https:\/\/flororjales.com\/fr\/flor\/","title":{"rendered":"flor"},"content":{"rendered":"
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Flor Orjales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Art Work<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Bio<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bio<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Degree in Psychology from the Universidad Aut\u00f3noma de Madrid. Diploma in Graphic Design from CENP. Diploma in Editorial Illustration by ESDIP. Master in Art Direction at CICE, directed by Carmen Collado.<\/p>

Freelance Designer, Art and Creative Director, in the last 15 years I have performed countless projects in the position of Creative and Communication Director, for national and international companies and externally for various advertising agencies.<\/p>

Specialised in advertising communication, conceptualisation and editorial design, with a special interest in creative writing, illustration and digital techniques have inspired works such as \u201cContext\u201d, \u201cOne Sense\u201d, \u201cMoons\u201d or \u201cNourish to Flourish\u201d, where the use of new techniques and more artistic formats reveals a more personal vision.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Flor Orjales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Personal concept of editorial design.<\/p>

At the same time, I have developed several exhibitions and artistic projects in Spain, UK, Germany, France and USA such as \u201cDual, Words in Art\u201d, \u201cOpen Hearth\u201d, \u201cIn Pain We Trust\u201d or \u201cRoten Faden\u201d, always combining my activity as a creative in advertising with the more purely artistic production.<\/p>

In fact, advertising is very present in my personal perspective on the creative process, where more characteristically advertising media and techniques appear in my photography, illustration, painting or in creative writing itself, exerting an enormous influence on conceptualisation and artistic production, always in search of new languages and media through which to express the unstable worlds we inhabit, fleeting, chaotic or dramatic.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Which cohabit within a reality as simple and eloquent as it is cruel and excessive.<\/p>

Then art, advertising, literature, music… blend together, bringing out the plasticity of the content and the aesthetics of the message, opening the way to a new creative process in which conceptual development acquires an unusual importance, bringing a certain theatricality to the compositions.<\/p>

Not as isolated pieces or entities, but as part of a whole, as chapters of a work, of a visual novel, with its presentation, its argument and its conclusion, sometimes creating serial or narrated compositions, in order to find a space where to assemble all the elements, the line and the word, the colour and the composition, the image and the meaning, for time to conjugate them and together they compose that artistic language, where continuity flows.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Advertising<\/strong>
As a designer, illustrator and creative director, I have developed numerous projects for companies such as Lufthansa, Star Alliance, Swiss Air, Almand & Tucci, Abegglen & Crawford, Xunta de Galicia, Pure Gaming or the Italian Chamber of Commerce. For the last two years, until now, as an art and creative director for the online TV channel Diverzity.<\/p>

Editorial<\/strong>
Through creative writing, illustration, photography and mixed media, I have tried to find a more artistic and personal concept of editorial design, making books and publications such as \u201c69 Bichos\u201d, \u201cAlenka Bilos y el Tren de Colores\u201d, \u201cMoons\u201d, \u201cOne Sense\u201d, \u201cNourish to Flourish\u201d and currently in process \u201cLas 20 maneras en que te am\u00e9\u201d and \u201cOne of a Kind\u201d.<\/p>

Audiovisual<\/strong>
From the collaboration in the script of the independent short film \u201cRoad Song\u201d directed by Binu Bashkar, for the Canadian production company Nite Vox, script of the short film \u201cIn Pain We Trust\u201d for the exhibition of the same title, script of the short film and teaser \u201cAbre los Ojos\u201d for the project \u201cAhora T\u00fa\u201d by Creatividad Sensitiva, as well as visual scripts for \u201cMi Yo Salvaje\u201d, \u201cSextrop\u00eda\u201d, \u201cLos Caprichos de To\u00f1o\u201d and several programmes created for the online platform Diverzity.<\/p>

Special Mentions<\/strong>
Recently awarded by \u201cLa Pinacoth\u00e8que de Luxembourg\u201d with the recognition of Artistic Merit, in the Luxembourg Art Prize 2021.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Flor Orjales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Main Art Exhibitions<\/strong><\/p>

2009 \u2013 \u201cA Saber\u201d. <\/strong>Centro Cultural Puerta de Toledo, Madrid.
Exhibition of poetry, illustration and photography.<\/p>

2012 \u2013 \u201cDual, Words in Art\u201d.<\/strong> Sala Van Drell, Tres Cantos, Madrid.
Exhibition of Painting and Poetic Art.<\/p>

2014 \u2013 \u201cOH\u201d. <\/strong>Sandringham Road Space, Wetherby, Leeds, UK.
Exhibition of Painting and Artist Books.<\/p>

2015 \u2013 \u201cIn Pain We <\/strong>Trust\u201d. Sala Baluarte, Tres Cantos, Madrid.
Multidisciplinary Collective. An interesting reflection about the pain which human beings assume throughout their existence.<\/p>

2017 \u2013 \u201cColumbia’s 50th Anniversary\u201d. <\/strong>Columbia, Maryland, USA.
International collective exhibition of selected artists from the four countries convened, as part of the celebration of the 50th anniversary of the city.<\/p>

2018 \u2013 \u201cExposition d\u2019artistes Internationaux avec le Caja\u201d. <\/strong>Ch\u00e2teau de Grouchy, Osny, \u00cele-de-France, France.
Within the \u201cJourn\u00e9es Europ\u00e9ennes Du Patrimoine\u201d.<\/p>

2019 \u2013 \u201cExposition Roten Faden\u201d. <\/strong>Langenfeld, D\u00fcsseldorf, Germany.
International collective exhibition, conceptual development of the traditional theme \u201cRed Thread\u201d.<\/p>

2020 \u2013 \u201cOH 2020 Edition\u201d. <\/strong>Sandringham Road Space, Wetherby, Leeds, UK.
Paintings and illustrations.<\/p>

2023 \u2013 \u201cLas 20 maneras en que te am\u00e9\u201d <\/strong>and \u201cOne of a Kind\u201d. Madrid.
Upcoming exhibitions in progress.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Porfolio<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Flor Orjales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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…voy caminando sobre mis dedos \u00edndice y coraz\u00f3n. Lo cierto es que me encanta…<\/p>

…I\u2019m walking over my index and middle fingers. Actually I really love it…<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Flor Orjales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201cSelf portrait\u201d\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Acrylic on wood frame, 65×40 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cEva\u201d\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Digital Illustration, Gouache on paper, 20×40 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cLe Bain\u201d\u00a0 \u00a0 \u00a0 \u00a0 Collage, acrylic on wood frame 70×50 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cDiego y Jon\u201d\u00a0 \u00a0 \u00a0 Collage, acrylic on wood frame, 107×117 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vivimos inconscientes, atrapados en nuestra peque\u00f1a burbuja, adheridos a nuestros propios h\u00e1bitos, costumbres y creencias sin apenas plantearnos por qu\u00e9…<\/p>

…we live unconscious, caught up in our little bubble, adhering to our own habits, customs and beliefs…<\/p>

…without considering why…<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cSelfportrait\u201d\u00a0 \u00a0 \u00a0 \u00a0 Pyrography, acrylic on stripped wood frame, 65×40 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cMoons\u201d\u00a0 \u00a0 \u00a0 Mixed media, aniline on paper 25×25 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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El ciclo natural de la vida implica creaci\u00f3n, destrucci\u00f3n, o simple transformaci\u00f3n. El proceso degenerativo en el mundo natural asombra por su sencilla belleza. Los ciclos se suceden, todo se transforma y todo vuelve a comenzar, la armon\u00eda se impone, la Tierra respira, el aire fluye.<\/p>

Alterar un ciclo natural, uno solo, implica solo destrucci\u00f3n.
\u201cTrees\u201d<\/p>

The natural cycle of life involves creation, destruction, or simple transformation. The degenerative process in the natural world amazes us with its simple beauty. The cycles happen, everything becomes and everything returns to begin, the harmony is imposed, the Earth breathes, the air flows. Altering a natural cycle, only one, involves only destruction.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cTrees\u201d\u00a0 \u00a0 Pyrography, water colour on paper 50×50 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cAmigas\u201d\u00a0 \u00a0 \u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Illustration, acrylic on paper, 40×30 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cNuevo Rumbo\u201d\u00a0 \u00a0 Digital llustration on paper, 30×15 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a0Illustration, water colour on paper 25 uds. 22x22cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cRealidades Paralelas\u201d\u00a0O \u201cLego a mi camale\u00f3n el tercio de libre disposici\u00f3n\u201d.
Existen infinitas percepciones de la misma realidad, as\u00ed como infinitas realidades posibles dentro de una misma realidad. \u00bfMe pregunto cu\u00e1l heredar\u00e1 mi camale\u00f3n?<\/p>

Porque solo un ser vivo es capaz de meterse en la piel de otro ser vivo, de entender que todos tenemos un destino com\u00fan.<\/p>

\u201cParallel Realities\u201d or \u201cI leave to my chameleon one third of the free provision\u201d.
There are endless perceptions of the same reality, as well as infinite possible realities within the same reality. I wonder which my chameleon will inherit?<\/p>

Because only a living being is able to wade in the skin of another living being, to understand that we all have a common destiny.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cLl\u00e1malo Coraz\u00f3n\u201d<\/strong>
Desde el primer instante de vida, mucho antes de nacer, su latido nos acompa\u00f1a. Qu\u00e9 extra\u00f1a magia hace que comience a hacerlo, de pronto, sin m\u00e1s. Lo llamamos motor incansable, diligente trabajador que nunca exige jornal, que nunca es recompensado, que no pone condici\u00f3n.<\/p>

Pero qu\u00e9 ingrato es imaginarlo como una simple pieza al azar, dentro de nuestra maquinaria, a \u00e9l, que ama sin ser amado, a \u00e9l que nada recibe, que s\u00f3lo da.<\/p>

Aunque apenas lo recuerdes, aunque olvides que ah\u00ed est\u00e1, aunque apenas lo percibas, sigue ah\u00ed, ah\u00ed est\u00e1. Ll\u00e1malo al menos por su nombre, ll\u00e1malo coraz\u00f3n. Existen m\u00e1s de mil razones para no llamarlo motor.<\/p>

\u201cCall It Heart\u201d<\/strong>
From the first moment of life, long before birth, the heartbeat accompanies us. Strange magic that makes it begin to do so, suddenly, without delay. We call it tireless engine, diligent worker who never asks for a jornal, which is never rewarded, which does not condition.<\/p>

But how ungrateful is to imagine it as a simple random part within our machinery, to it, which loves without being loved, to which nothing receives, which only gives.<\/p>

Although just as you remember, even if you forget it is there, although it hardly rests, it is always there, there it is. At least call it by its name, call it heart. There are more than one thousand reasons to not call it engine.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cLl\u00e1malo Coraz\u00f3n\u201d\u00a0 Mixed media. Collage, acrylic on wood frame, 170×120 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cBike in Lucca\u201d\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Collage, acrylic on wood frame, 65×65 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cClaro\u201d\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Acrylic on wood frame, 122×100 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cLetters\u201d Collage, acrylic on wood frame, 60×52 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cRaices\u201d Collage, acrylic on wood frame, 65×65 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cShe was there\u201d Acrylic on wood frame, 122×100 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cDes\u00e1tame\u201d<\/strong>
Nuestras elecciones nos hacen libres, o eso queremos creer. Pero tantas veces nos perdemos ahogados en libertad. No sabr\u00eda decir qu\u00e9 es m\u00e1s triste, la ausencia de libertad o el no saber qu\u00e9 hacer con ella. Ni qu\u00e9 es m\u00e1s desolador, la privaci\u00f3n de alimento o la sobrealimentaci\u00f3n. La anorexia o la bulimia. La ansiedad o la depresi\u00f3n. La apat\u00eda o la adicci\u00f3n.<\/p>

Vivimos enredados en prejuicios propios y ajenos acerca de lo que pretendemos ser, y entre tanto enredo y necedad, olvidamos lo que somos, olvidamos ser.<\/p>

\u201cUnleash Me\u201d<\/strong>
Our choices make us free, or that\u2019s what we want to believe. But so many times we lose ourselves drowning in freedom. I can\u2019t really say what\u2019s sadder, the absence of freedom or not knowing what to do with it. And what is more distressing, the deprivation of food or the plethora. The anorexia or bulimia. The anxiety or depression. The apathy or addiction.<\/p>

We live entangled in prejudices about what we pretend to be, and between both tangle and folly, we forget what we are, we forget to be.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cShe was there\u201d Acrylic on wood frame, 122×100 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201c\u201cEn la calle\u201d Acrylic on wood frame, 122×100 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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…nuestra inspiraci\u00f3n se nutre de sue\u00f1os, de emociones, de im\u00e1genes, de m\u00fasica… de palabras.
La palabra es el medio l\u00edquido a trav\u00e9s del que fluyen nuestras ideas.<\/p>

Transmitirlas nos hace libres, expresarlas nos convierte en co-creadores del universo en que vivimos…<\/p>

…our inspiration feeds on dreams, emotions, images, music… of words.
The word is the fluid medium through which our ideas flow.<\/p>

To transmit them makes us free, expressing them makes us co-creators of the universe in which we live..<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cHealing\u201d
The healing process is inherent in the disease.<\/p>

We take this process as something inevitable, want it to be brief, effective, harmless and painless.<\/p>

But, to what extent the same healing process may reach to damage or cause even more pain.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cCuraci\u00f3n\u201d Photography, digital illustration on paper 50×50 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cCuraci\u00f3n\u201d
El proceso de curaci\u00f3n es inherente a la enfermedad.<\/p>

Nos planteamos este proceso como algo inevitable, deseamos que sea breve, eficaz, inocuo e indoloro.<\/p>

Pero, \u00bfen qu\u00e9 medida el mismo proceso de curaci\u00f3n puede llegar a deteriorar o causar a\u00fan m\u00e1s dolor?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cToro\u201d Digital illustration on paper 30×50 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cIn Bloom\u201d Digital illustration on paper, 30×30 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201c\u201cOne Sense\u201d Photography 60×40 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201c\u201cGiusika I-II\u201d Photography 70×50 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cVideorealidad\u201d
\u00bfJugamos? \u00bfQuieres que juguemos de verdad? \u00bfEst\u00e1s seguro de ello?<\/p>

Te lo preguntar\u00e9 otra vez. Ahora \u00e1rmate, pero s\u00f3lo de paciencia, para comprender cu\u00e1l es el juego esta vez.<\/p>

\u201cVideorealidad\u201d
Do we play? Do you really want to play? Are you sure of this?<\/p>

I will ask you again. Now arm yourself, but only with patience, to understand what the game is this time.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201c\u201cVideorealidad\u201d Photography 75×100 cm<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cPalabras sin Libertad\u201d
No hay nada m\u00e1s doloroso que las emociones cautivas, las que hacemos prisioneras de nuestra propia condici\u00f3n.<\/p>

Las emociones privadas de libertad enferman sin remedio, a veces mueren y a veces matan, a ellas mismas y a su propio captor.<\/p>

\u201cWords Without Freedom\u201d
There is nothing more painful than the captive emotions, which we imprison by our own condition.<\/p>

The emotions deprived of freedom get sick without remedy, sometimes die and sometimes kill\u2014both themselves and their own captor.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u201cIN PAIN WE TRUST\u201d<\/strong>
We are who we are, nothing else.
We are trying to escape the pain under infinite masks,
an infinite number of ways,
rushing to forget
without recognizing just what we know,
without remembering how much we forget.
But we are only what we are \u2014 there is nothing else.<\/p>

Without wishing to stay in extraneous issues,<\/strong>
without attempting to judge by what we do or we leave.
We are \u2014 which is not little.
We are equal and at the same time different.
We are what we assimilate:
the small things that they tell us,
what we find, and what we lose.
We are, nothing more than what we want.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u201cIN PAIN WE TRUST\u201d<\/strong>
Somos lo que somos, nada m\u00e1s.
Pretendemos escapar al dolor bajo infinitas m\u00e1scaras,
de infinitas maneras,
apresur\u00e1ndonos a olvidar,
sin reconocer apenas lo que sabemos,
sin recordar lo mucho que olvidamos.
Pero solo somos lo que somos, nada m\u00e1s.<\/p>

Sin pretender alojarnos en cuestiones ajenas,<\/strong>
sin pretender juzgar por qu\u00e9 lo hacemos
o lo dejamos.
Somos \u2014que no es poco\u2014.
Somos iguales y al mismo tiempo distintos.
Somos lo que asimilamos:
las peque\u00f1as cosas que nos cuentan,
lo que encontramos y lo que perdemos.
Somos, nada m\u00e1s que lo que deseamos.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cIn Pain We Trust\u201d Short film<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Flor Orjales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Flor Orjales Art Work Bio Bio Degree in Psychology from the Universidad Aut\u00f3noma de Madrid. Diploma in Graphic Design from CENP. Diploma in Editorial Illustration by ESDIP. Master in Art Direction at CICE, directed by Carmen Collado. Freelance Designer, Art and Creative Director, in the last 15 years I have performed countless projects in the […]<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_canvas","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-708","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/flororjales.com\/fr\/wp-json\/wp\/v2\/pages\/708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/flororjales.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/flororjales.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/flororjales.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/flororjales.com\/fr\/wp-json\/wp\/v2\/comments?post=708"}],"version-history":[{"count":22,"href":"https:\/\/flororjales.com\/fr\/wp-json\/wp\/v2\/pages\/708\/revisions"}],"predecessor-version":[{"id":908,"href":"https:\/\/flororjales.com\/fr\/wp-json\/wp\/v2\/pages\/708\/revisions\/908"}],"wp:attachment":[{"href":"https:\/\/flororjales.com\/fr\/wp-json\/wp\/v2\/media?parent=708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}